City as Stage: Performative Body and the Authoritarian City
City as Stage: Performative Body and the Authoritarian City
Authors: Ahmadreza Hakiminejad and Mahsa Alami Fariman
Synopsis
In
a cold day in December 2017, on the curbs of Enghelab Street in central Tehran, Iran, a defiant woman climbs a utility box, takes her hijab off, ties it to a stick
and waves it to the crowd. Her eyes stared soulless towards her city, waving
her white scarf in silence. The performer reclaimed the street to convert it into
a theatrical stage with its astonished audience. This simple yet courageous bodily
phenomenon tending to reclaim the city became a symbolic act of protest against
the compulsory hijab.
In
light of the ongoing Woman, Life, Freedom movement in Iran – ignited by death
in custody of Kurdish-Iranian woman Mahsa Jina Amini for ‘improper hijab’ in
September 2022 — performance as act of resistance has become a semiotic way of
protest in the face of the authoritarian city. Enacting the factual moments of
oppression, suffering and even joy, Iranian urban women rebel against a city that
tends to control the public body — and create a novel space of
theatrical disobedience. In this paper, we aim to critically explore and
theorise these moments of performative resistance in the public urban spaces
through the lenses of feminist geographies, ‘the right to the city’ and
politics of space. In this context, the authoritarian city is produced by a)
entities associated with a politico-ideological power fuelled by religious
fanaticism and b) autocratic urban forms.
This piece will be presented as
part of Authoritarian Urbanism: Global Manifestations, Knowledge Exchange and Contestation conference, organised and hosted by the Institute for European Urban Studies (IfEU) at Bauhaus-Universität Weimar, 09-11
November 2023.
The conference program can be found here.